Latin America According to Whitney and Disney. The Inter-American Cinematography of the Good Neighbor Policy in the 1930's and 40's

Main Article Content

Abstract

The representation of other nations in American cinema has always fallen in line with the guiding principles of the country's foreign policy. As for Latin America –throughout the 20th century– the emergence of latinos in Hollywood cinema also depended on the current diplomatic relations between the two regions. In my article I present the cinematographic aspects of the USA’s new attitude towards Latin America in the 1930s and the first half of the 1940s, within the framework of the Good Neighbor Policy, formulated by President Franklin Delano Roosevelt. In this mission John Hay Whitney, director of the Motion Picture Division of a specialized office (OIAA), had a key role, with the support of several famous filmmakers, among others, Walt Disney.

Downloads

Download data is not yet available.

Article Details

How to Cite
Lénárt, A. (2018). Latin America According to Whitney and Disney. The Inter-American Cinematography of the Good Neighbor Policy in the 1930’s and 40’s. Acta Hispanica, 23, 55–67. https://doi.org/10.14232/actahisp.2018.23.55-67
Section
Articles
Author Biography

András Lénárt

Profesor contratado doctor en el Departamento de Estudios Hispánicos de la Universidad de Szeged, Hungría. Es doctor en Historia Contemporánea del Mundo Hispánico. Sus áreas de investigación incluyen las relaciones entre historia y cine, la historia y la cinematografía de América Latina y España, los estudios de propaganda, y las relaciones históricas-diplomáticas y culturales entre América Latina y los Estados Unidos.

References

Bibliografía
Benamou, Catherine L. 2007. It’s All True: Orson Welles’s Pan-American Odyssey. Berkeley: University of California Press.
Coatsworth, John H. 2005. “United States Interventions” ReVista. Harvard Review of Latin America, Summer 2005. Fecha de consulta: 28 de enero de 2018. Asequible en: http://revista.drclas.harvard.edu/book/united-states-interventions
Cramer, Gisela – Prutsch, Ursula. 2006. “Nelson A. Rockefeller’s Office of Inter-American Affairs (1940-1946) and Record Group 229” Hispanic American Historical Review, 86/4.
Danticat, Edwidge. 28 de julio de 2015. “The Long Legacy of Occupation in Haiti” The New Yorker. Fecha de consulta: 28 de enero de 2018. Asequible en: https://www.newyorker.com/news/news-desk/haiti-us-occupation-hundred-year-anniversary
Jarvinen, Lisa – Peredo Castro, Francisco. 2011. “German Attempts to Penetrate the Spanish-Speaking Film Markets” Vande Winkel, Roel – Welch, David (eds.). 2011. Cinema and the Swastika: The International Expansion of Third Reich Cinema. Basingstoke – New York: Palgrave Macmillan.
Lénárt, András. 2013. “Hispanic Hollywood. Spanish-Language American Films in the 1920s and 1930s” Americana. E-Journal of American Studies in Hungary. IX/ 2. Fall 2013.
López, Ana M. 1993. “Are All Latins from Manhattan? Hollywood, Ethnography, and Cultural Colonialism” King, John – López, Ana M. – Alvarado, Manuel (eds.). 1993. Mediating Two Worlds: Cinematic Encounters in the Americas. London: British Film Institute.
Moral Roncal, Antonio Manuel. 2003. Cuba ante la guerra civil española: la acción diplomática de Ramón Estalella. Madrid: Biblioteca Nueva.
Pérez Melgosa, Adrián. 2012. Cinema and Inter-American Relations. Tracking Transnational Affect. New York – London: Routledge.
Rankin, Mónica A. 2009. ¡México, la Patria!. Propaganda and Production during World War II. Lincoln & London: University of Nebraska Press.
Sadlier, Darlene J. 2012. Americans All. Good Neighbor Cultural Diplomacy in World War II. Austin: University of Texas Press.
Selser, Gregorio. 2001. Cronología de las intervenciones extranjeras en América Latina. Tomo III. Universidad Nacional Autónoma de México.
Thomas, Bob. 1987. Walt Disney. Egy találékony amerikai. Budapest: Könyvért.
Watts, Steven. 2001. The Magic Kingdom. Walt Disney and the American Way of Life. Columbia and London: University of Missouri Press.