Deshonra (Daniel Tinayre, 1952) propaganda, lesbianismo, dicotomías y metáforas

Main Article Content

Pablo Rubio Gijón

Resum

Within the context of the film industry of the first peronist period (1946-1955) crime films established themselves as a means to disseminate the dominant ideology. Some of the characteristics of this genre were used to leave proof of the pre-eminence of the State as a safeguard of the status quo. However, Deshonra (1952) resorts in its structure to visual features that could be interpreted as a veiled criticism to the very ideology it aims to divulge. The crime film genre, from its constitutive proposals and its supposed ideological rigidity in a political framework such as Peronism, may grant some areas of ambiguity.

Descàrregues

Les dades de descàrrega encara no estan disponibles.

Article Details

Com citar
Gijón, P. R. (2017). Deshonra (Daniel Tinayre, 1952): propaganda, lesbianismo, dicotomías y metáforas. Acta Hispanica, 22, 113–120. https://doi.org/10.14232/actahisp.2017.22.113-120
Secció
Artículos