El nudo/nodo en la narrativa de Julio Cortázar y Los caminos hacia la hiperficción
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The word nudo (knot), which comes from the latin nodus, is explained in seventeen
different ways in the Dictionary published by the Spanish Royal Academy. However, every
definition converges in a key point: the knot as a juncture or convergence of diverse elements. In
this paper, I apply these definitions to the analysis of knot and nodal methaporic structures
used in Julio Cortázar’s narrative: the knot starts as a literary metaphor in his early work
titled Divertimento (1949), it evolves into a nodal structure in Rayuela (1963), and
finally it reachs a maximum complexity of knots and nodes in 62, modelo para armar
(1968).
different ways in the Dictionary published by the Spanish Royal Academy. However, every
definition converges in a key point: the knot as a juncture or convergence of diverse elements. In
this paper, I apply these definitions to the analysis of knot and nodal methaporic structures
used in Julio Cortázar’s narrative: the knot starts as a literary metaphor in his early work
titled Divertimento (1949), it evolves into a nodal structure in Rayuela (1963), and
finally it reachs a maximum complexity of knots and nodes in 62, modelo para armar
(1968).
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Llosa Sanz, Álvaro. (2010). El nudo/nodo en la narrativa de Julio Cortázar y Los caminos hacia la hiperficción. Acta Hispanica, 15, 31–42. https://doi.org/10.14232/actahisp.2010.15.31-42
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