Reinscribing Malinche in Contemporary Visual Art Metaphors of Malinche at the Denver Art Museum Exhibition “Traitor, Survivor, Icon: The Legacy of la Malinche” (2022)

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Publicado: Dec 19, 2023
DOI: https://doi.org/10.14232/actahisp.2023.28.131-147
Palabras clave:
The Conquest of Mesoamerica, Malinche, Contemporary Reception, Visual Art, Cultural Metaphors

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Agnes Kovács
Universidad de Szeged
https://orcid.org/0000-0002-6259-142X

Resumen

Malinche was an indigenous slave woman who helped Cortés communicate with and understand native chiefs during the conquest of Mexico. This paper analyzes the way the Denver Art Museum represented cultural metaphors of Malinche in visual culture in its 2022 show titled “Traitor, Survivor, Icon: The Legacy of La Malinche.” The exhibition distinguishes five key metaphors in the reception of Malinche from the sixteenth century through today. The paper highlights the theme of Malinche as the mother of the nation and its diverse appearances in visual culture among the images displayed. The paper surveys the ways in which images of motherhood interact in museum space.

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Kovács, A. (2023). Reinscribing Malinche in Contemporary Visual Art: Metaphors of Malinche at the Denver Art Museum Exhibition “Traitor, Survivor, Icon: The Legacy of la Malinche” (2022). Acta Hispanica, 28, 131–147. https://doi.org/10.14232/actahisp.2023.28.131-147
Número
Vol. 28 (2023): Acta Hispanica Tomus XXVIII
Sección
Estudios culturales
Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.

Biografía del autor/a

Agnes Kovács, Universidad de Szeged

Ágnes Zsófia Kovács is associate professor at the Department of American Studies, University of Szeged, Hungary. Her research interests include late nineteenth-century proto-modern fiction, conversions of literary modernisms, popular fiction genres, and contemporary multicultural American fiction. Her current research into travel writing involves re-mapping travel texts by Edith Wharton. She published two books, The Function of the Imagination in the Writings of Henry James (2006) and Literature in Context (2010), co-edited Space, Gender and the Gaze (2017) and edited Edith Wharton’s Osprey Notes (2021). She served as editor for AMERICANA E-Journal with the issues ‘Multiculturalism in American Literature and Art’ (2008) and ‘Henry James Appropriated’ (2016), and for AMERICANA eBooks with Jon Roberts’ A Life Less Damnable  (2013). She sits on the editorial board of Americana E-Journal and TNTeF, Szeged, and Acta Philologica, Cluj.

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Recibido 2023-03-16
Aceptado 2023-05-19
Publicado 2023-12-19

Citas

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